Stage-Irish, or the National in Irish Opera, 1780–1925

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Stage-Irish, or the National in Irish Opera, 1780–1925

Auteurs : Axel Klein

Source :

• The Opera Quarterly [ 0736-0053 ] ; 2005.

RBID : ISTEX:95EE177B125FD059985351E7DB5848A6E6119CF5

Descripteurs français

• Wicri :
  • geographic : Irlande (pays).
  • topic : Bibliothèque nationale.

English descriptors

• KwdEn :
  • Aria, Arts council, Balfe, Biographical dictionary, Boroihme, Brian boroihme, Brian boydell, British library, Cecil forsyth, Celtic legendry, Celtic legends, Charles thomas, Charles villiers opera shamus, Charles villiers stanford, Choral, Classical music, Comic opera, Comic operas, Complete score, Concert performance, Connla, Contemporary critic, Cork examiner, Cork university press, County kerry, Cultural history, Double title page, Dublin, Duncan davison, Edward german, Eithne, Emerald isle, English opera, English opera house, English operas, English stage, English view, English words, Esposito, Fairy, Fairy queen, February, Feis, Feis ceoil, Finn varra, First performance, First performances, First world, Gaelic league, Gaiety theatre, Geoffrey molyneux palmer, George moore, Giordani, Glover, Golden hair, Grace darrell, Grove dictionary, Hibernia magazine, Immortal hour, Incidental music, Indiana university press, Introductory sketch, Ireland, Irish, Irish airs, Irish composer, Irish composers, Irish culture, Irish elements, Irish interests, Irish language, Irish music, Irish musicians, Irish mythology, Irish nationalism, Irish opera, Irish operas, Irish people, Irish subject, Irish theatre, Irish times, Irish variant, Irish works, Irishman, James duff, James joyce, John william, Joseph ryan, Killarney, Large number, Libretto, Local press, Logier, Melodic appeal, Michael william balfe, Michele, Michele esposito, Middle ages, Muirgheis, Music historians, Musical nationalism, Musical times, National airs, National library, National opera, Native composers, Native opera, Next opera, Nicholas temperley, Nineteenth century, Opera, Opera companies, Opera company, Other sources, Oxford university press, Philip shields, Present article, Richard pine, Roger fiske, Royal college, Royal irish academy, Same time, Second opera, Shamus, Sincere effort, Social circumstances, Social scene, Stanford, Stanley sadie, Talbot press, Temperley, Thomas moore, Thomas richard gonsalvez, Thomas simpson, Title page, Tommaso giordani, Traditional melody, Traditional music, Twentieth century, Weekly irish times, Wicklow mountains, William shield.
• Teeft :
  • Aria, Arts council, Balfe, Biographical dictionary, Boroihme, Brian boroihme, Brian boydell, British library, Cecil forsyth, Celtic legendry, Celtic legends, Charles thomas, Charles villiers opera shamus, Charles villiers stanford, Choral, Classical music, Comic opera, Comic operas, Complete score, Concert performance, Connla, Contemporary critic, Cork examiner, Cork university press, County kerry, Cultural history, Double title page, Dublin, Duncan davison, Edward german, Eithne, Emerald isle, English opera, English opera house, English operas, English stage, English view, English words, Esposito, Fairy, Fairy queen, February, Feis, Feis ceoil, Finn varra, First performance, First performances, First world, Gaelic league, Gaiety theatre, Geoffrey molyneux palmer, George moore, Giordani, Glover, Golden hair, Grace darrell, Grove dictionary, Hibernia magazine, Immortal hour, Incidental music, Indiana university press, Introductory sketch, Ireland, Irish, Irish airs, Irish composer, Irish composers, Irish culture, Irish elements, Irish interests, Irish language, Irish music, Irish musicians, Irish mythology, Irish nationalism, Irish opera, Irish operas, Irish people, Irish subject, Irish theatre, Irish times, Irish variant, Irish works, Irishman, James duff, James joyce, John william, Joseph ryan, Killarney, Large number, Libretto, Local press, Logier, Melodic appeal, Michael william balfe, Michele, Michele esposito, Middle ages, Muirgheis, Music historians, Musical nationalism, Musical times, National airs, National library, National opera, Native composers, Native opera, Next opera, Nicholas temperley, Nineteenth century, Opera, Opera companies, Opera company, Other sources, Oxford university press, Philip shields, Present article, Richard pine, Roger fiske, Royal college, Royal irish academy, Same time, Second opera, Shamus, Sincere effort, Social circumstances, Social scene, Stanford, Stanley sadie, Talbot press, Temperley, Thomas moore, Thomas richard gonsalvez, Thomas simpson, Title page, Tommaso giordani, Traditional melody, Traditional music, Twentieth century, Weekly irish times, Wicklow mountains, William shield.

Url:

• https://api.istex.fr/document/95EE177B125FD059985351E7DB5848A6E6119CF5/fulltext/pdf

DOI: 10.1093/oq/kbi002

Affiliations:

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